They fit

Die Handschuhe sind leider nicht nahtlos, aber abgesehen davon von guter Qualität.

Erfüllt seinen Zweck.

Super, dass es wieder die Verlaufsfilter für die Mini 3 gibt.Bei hohen Kontrastunterschieden zwischen Himmel und Landschaft ist dieser super.Leicht anzubringen und ich sehe keinen Qualitätsunterschied.Vorsicht aber bei Hochformat-Bildern und direkt auf die Erde gefilmt,hier passt der Verlauf natürlich nicht und muss gedreht oder entfernt werden.

Nutze es an meiner Drohne, muss aber noch probieren.

Genau das was ich benötige.

Wie gewünscht! Top Qualität uns schneller Versand.

Perfect for bright skies.

...al ser graduables hay que tener en cuenta la reflexión

Macht was es soll und verbessert die Aufnahmen spürbar bei bewölktem Himmel.Ausserdem ist es über amazon günstiger als beim großen Anbieter in Asien ;-)

I was hoping these would help with equalizing exposures of horizon shots of course, but I can barely notice a difference vs without. The ND values are so low they are only really useful for very low light times like late sunset and early sunrise, where the sky vs horizon difference in exposure is pretty low ratio to start with. Why only .9 and 1.2?? Higher shutter speed for anything brighter and of course no motion blur to get. I would try vertical setting on the lens dial while doing a horizon shot and see no gradient difference that would create a darker band down the side, and vise versa. They're said to not be acceptable for panoramas for the obvious reason of having half the lense being shaded and you'll see tiling of the stitched images, but I took several and can't see where this is created.I can see the gradient on the front of the lens, but don't see it when looking through on the RC controller with screen or in the videos on the drone's sd card. Maybe my eyes are just lame and i'm ignorant, but I don't find them very useful when their subtle effect could probably be handled just as easily in editing, especially when I want to use a filter with polarization or a high ND value which these of course don't have.I really don't find the slight help these possibly give for the small time frame they would be used being worth the money as I'm finding myself switching them out for other filters most of the time.

This a THE solution to the age-old problem of split exposure -the huge exposure gap between ground and sky under certain conditions. It is the answer to my prayers, with one caveat: You cannot just mount these and fly around getting properly exposed photos and video.A GND or "Gradient Neutral Density" filter is designed to overcome the exposure nightmare that is present when capturing images and video from the air. Expose the ground properly, and your sky is blown out overexposed. Fix your exposure so the sky and clouds look perfect and now everything on the ground is too dark. Hmmm. What to do? Try Auto Exposure? Nope. Now the sky looks good, ground too dark, and as you swing the camera down the ground exposure gets adjusted to near perfect, and the sky gets to bright. Ok then, how about using ND Filters? Unfortunately they can only help you reach perfect exposure of one or the other, but cannot help expose two wildly different lighting conditions. This is the endless headache that faces aerial photography enthusiasts. UNTIL NOW...Now, Freewell has given us a powerful tool to fight the "Battle of the Light!!!" Most of the solution anyway. They cannot change the science of optics, but they CAN give you a tool to work with it in ways that a standard ND Filter cannot. GND filters have been around for many years, but only a few, obscure companies make them for drones. If you search here on Amazon, you WILL find some filters described as "GND" but I have reservations, since photos of these filters show a single shade of light reduction across the entire filter. Possibly they aren't getting good images of the glass shading, but I have to ask: Do you want to my PHOTO equipment from a company that can't photograph THEIR OWN PRODUCT? I wouldn't have too much confidence in that working out well.But enough of the inferior efforts to produce a GND filter, lets look at a really good product:The Soft Edge Gradient 2 Pack from Freewell. This is the way to make GND Filters! The "soft edge" between the two shades on these was also a smart choice. GND's can have distinct HARD-EDGE separation between the shaded and clear parts of the glass. For this Freewell version, the filter is densest at the edge and tapers to clear by the middle, with a soft-edged line of transition between the dense and clear areas. A neutral density filter with a soft-edged line of transition is particularly useful for images that do not have a strongly defined transition between the sky and the foreground.Perfect. Better put, PERFECT: For SPECIFIC SHOOTING SCENARIOS. It will solve all but the worst problems with exposure. Here are the times when I expect these to fix major problems, and give me the shots I always wanted, but could never achieve without these:1. Flying toward the sun, around heavily forested land, at midday with bright, harsh lighting conditions.2. Getting spot-on perfect landscape photo exposures.3. Getting course lock Hyperlapse Sunsets My plan is to put some images in this review to demonstrate exactly how they solve the issue. I realize that many folks promise to circle back and update reviews, then head into the sunset (perfectly exposed) and are never heard from again. I will try not to be that guy.INTRUCTIONS FOR USEThese are not "general use" filters, but created for specific circumstances. These are the basic steps to have success with them. Start with the DRONE OFF and the GIMBAL COVER REMOVED:1. REMOVE THE LENS FRAME with a gentle, counter-clockwise turn of the front edge of the camera.2. Put the Freewell GND Filter on the camera, slightly turned to the left (same position that the frame you removed was when you unattached it. Give it a gentle, clockwise twist, without FORCING IT. If it is resistant, make sure you have it positioned correctly and it is flat against the camera. Take your time -when it is correctly positioned, very little force is required to clip it into position.3. Power up and launch the Mini 3 Pro or Mini 3.4. Once you have your drone at the altitude you want, align your horizon and pitch the gimbal to get the horizon lined up vertically with the division on the filter. Freewell has this exactly halfway from top to bottom. Turning on gridlines, either diagonal or center point can be a great guide to set this perfectly for your shot.5. Try a few test shots and review them on the spot - even if doing so in the field, in bright sun can be difficult, it can help you determine if you are exposed the way you want to be.WHEN TO USE / WHEN NOT TO USEAs I have mentioned, these are like nothing else available and can truly produce astounding results in the most difficult lighting situations. Be aware that they are not for all cases and can ruin certain types of shots. Here are a few cases where they work great, and where they can cause issues, if used incorrectly:GREAT SCENARIOS:1. Bright, mid-day sun. Remember that your horizon will vary if you are pitching the gimbal during recording, so for video, be cognizant that you must keep the transition line in the same vertical perspective.2. Wide 16:9 landscape photography.3. Sunset photos and video - with static horizon throughout the recording of video.4. Straight-line hyperlapses - Course lock or free when flying in one general direction (not circle, waypoint or free with changing horizon)POOR SCENARIOS1. Flying in multiple directions where pitch or roll is changing throughout the shot.2. Circling, orbits, Quickshots, MasterShots, Panoramas. DJI Panoramas on the Mini 3 Pro take exposure at different gimbal pitch's so you will get banding when it stitches the shots together. For example a 3x3 would have 3 dark and 3 light bands.Stick within these and similar conditions and setups and these will do a great job! I wish we had another 2 variations that were darker. Perhaps they will add to these at some future date. I will post examples wit/without the filters, starting the first day its not raining or heavy cloud cover. Whenever that is. It's been dull grey since I got these. Sorry everyone for the weather being so unappealing. My fault for buying these.

Der Dynamikumfang der DJI MIni 3 Pro Kamera ist schon gar nicht übel, stößt aber v.a. bei hellem Himmel mit dunklen Bodenanteilen doch an Grenzen - und diese kann man als verwöhnter Vollformat Fotograf mit den halb eingefärbten Filtern nochmal ein Stück verschieben und das macht ziemlich Spaß ;-).Freewell-typisch sauber verarbeitet, leichtgewichtig und leicht zu tauschen, kompakte und praktische Plastikhülle, optische Einbußen höchstens von Pixelpeepern in der 200% Ansicht auffindbar (und die kaufen keine Mini 3 sondern eine Inspire 2).Für Hochformat ist das Glas in der Fassung auch drehbar mit entsprechenden Markierungen, die in der freien Wildbahn das Handling erheblich erleichtern.Fazit - sollte man haben, wenn man auf ausgewogen belichtete Landschaftsaufnahmen steht.