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The Mad Room - Spanischer Import mit englischem Audio [DVD]

Kostenloser Versand ab 25.99€

15.01€

7 .99 7.99€

Auf Lager
Format DVD-Video
Sprache Englisch
Laufzeit 92 Minuten
Farbe Color
Anzahl der Discs 1


The Mad Room - Spanischer Import mit englischem Audio [DVD]


Matías Espasa
Bewertet in Spanien am 10. Februar 2022
Muy entretenida buena imagen y buen sonido
Manuel
Bewertet in Spanien am 26. September 2019
Edición correcta
Placeholder
Bewertet in den USA am24. Juni 2015
spooky horror / suspense film .
silk
Bewertet in den USA am5. Juni 2013
I have already given my explanation as to why I returned the Mad Room dvd. The movie was missing scenes, I know this because I saw the original in the early 70's. The movie should had been accompanied with, bonus features, deleted scenes, theatrical trailers and or cast interviews. Amazon charges way to much for a film that was cut tremendously. Tisha
4-Legged Defender
Bewertet in den USA am17. Juni 2011
[THE MAD ROOM - (1968) - Directed by Bernard Girard - Widescreen presentation] In this modernized remake of the far superior 1946 film, 'Ladies In Retirement', Stella Stevens portrays a young woman whose two younger siblings were convicted of murdering their parents years ago (though neither child remembers who did the actual killing) and have been kept in a mental institution since. She's currently the employed companion and secretary to Shelley Winters, an impossible-to-appease widow and overbearing mother to the young man Miss Stevens is engaged to. They are all living in a house still under construction, conditions are chaotic, tempers are easily enraged, and the kids, the eldest now turning eighteen, are getting discharged from the asylum. So Stella has little choice but to bring the children to live at her current residence, omitting their past homicidal history, of course. Their understandably fragile mental conditions will be put to new tests as they go straight from one loony bin into another, and that's when things get interesting.The younger brother and sister still have need of certain disciplines and groundwork from the institution and one of those things is a 'mad room', a place of solitude where they can work through things when challenged, confused, or perplexed. The strains of their current environment dictate that they will have need for this place frequently, but the basement won't do - this was a place of punishment at the nuthouse. The attic is perfect, but for one thing - it's locked and strictly off limits to anyone as per Miss Winters, who keeps her deceased husband's belongings there. Stella's at odds with herself and buckling from the sheer weight of constantly having to lie, keep up the façade of normalcy, monitor the teens, be a good fiancé and companion to the irredeemable Miss Winters. So she eventually relinquishes and gives the kids a key to the attic to use as a 'mad room', provided they remain quiet when there, so Shelley doesn't ever catch on. But one day she does catch them up there, has a patented hissy fit, throws them out and, as she exits, finds a book marked from the asylum, realizing she's been had. A confrontation naturally ensues, and we go from the frying pan into the fire... To say more would be, well, maddening.Stella Stevens is fine in her role, I always found her to be under-appreciated as an actress (her role in the following year's 'The Ballad of Cable Hogue' with Jason Robards is a perfect example) and, Shelley Winters is wonderful as the overbearing, over-indulged and overweight psycho-bitch (but we knew that already). Michael Burns and Barbara Sammeth are well-cast as the tortured teens, Beverly Garland glowers and shines in her short role, Skip Ward is instantly forgettable as the son / fiancé, Dave Grusin provides a solid soundtrack and director Bernard Girard ('Dead Heat on a Merry-Go-Round') tightens the tension cords nicely. Yes, it's inferior to the original, but the switch from two wacky sisters to two troubled teens is a simple twist that works well within the construct of the updated 60's time frame. It's almost an embryonic pre-cursor to the modern day slasher flick made prevalent in the 70's. For fans of flicks like 'Baby Jane', 'Sweet Charlotte', 'Woman in a Cage', 'What Ever Happened To Aunt Alice', 'Who Slew Auntie Roo?'(another insane Shelley Winters tour-de-force, and the addition of Debbie Reynolds makes it two-times-the-fun), it comes as recommended viewing. So, go ahead and enter 'The Mad Room', just remember where the exit door is.
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